The pre-internet thing has had me thinking. I actually think about those times quite a bit and thought of this before that thread.
Many of you on here might not relate to this music, but perhaps the story resonates with you.
How did you find tunes or bands that weren't played on the radio? I recall around '95 or '96 I was introduced to a band that really kind of shaped my thoughts on music, and my life at that time. They were a very little known band from Long Beach, California that eventually gained commercial success, but unfortunately, most of it came after their singer and guitarist died of a Heroin overdose.
I've been struggling to remember how I got my hands on this CD, but I recall getting a promo CD from what was called the Vans Warped tour. It had a few big name bands, but a lot were smaller, working musicians trying to come up in the game. There were two songs on that CD by a band named Sublime, and I friggin' loved it. I immediately did my best to find their albums, which in my day was pre-internet. I'm not even sure they would have been on that primordial internet of those days. Anyway, I managed to find some CDs and was playing them for my friends when we'd hang out or at parties. I also play guitar, so I started learning a number of them.
Most of the people I hung with liked this music too, and had never heard it on the radio. It's funny because shortly after this, probably from the Warped tour, they started gaining a national reputation and air play. Some of you might remember one of their most famous songs, "What I got".
Don't know if this tune is bitchin' or not, I'd never heard of it before I recorded this. I listened to it about 3 times to get the changes and progression down and put my own style on it. My wife did the vocal tracks - it was her idea to make a recording of this tune. We did it on a Sunday in a 3 season room with a handheld 4 track recorder, a SM57 mic, a couple guitars and amps, and Garage Band (a program Apple used to have on it's OS). Main guitar is the Les Paul on the right in the BG picture. I also doubled the rhythm with an acoustic track. Then there's the Maraca as our "drum track" and two other distorted LP tracks. I don't think there is a bass track - hard to tell anyway with laptop speakers. Vocals and harmonies were done on multiple tracks.
And now, a short break from your regularly scheduled programming. The third movement of Debussy’s Suite Bergamasque, some of the most beautiful five minutes of music ever written.